This 59-inch panel is a narrow Igbo wall element, part of the same painted collection as doors #76 and #77, hand-carved from a single slab 16 inches wide. A band of stacked triangular chevron peaks sits near the top, separated by a plain horizontal groove from a nested diamond lattice pattern that fills most of the lower field. The surface carries the same heavy white and rust-red painted finish seen across the set, built up unevenly in the carved recesses in a way consistent with genuine age. Given its narrow proportions, this reads as a sculptural wall panel rather than an architectural door, and it's a natural companion piece to use as a set, whether displayed together as a trio or spaced individually along a wall. On its own, it suits a slim vertical gap or a stairwell run where its two distinct registers read clearly at close range.
*Origin: Igbo tradition, Nigeria
*Era: Early-to-mid 20th century (estimated)
*Material: Hand-carved hardwood, single hand-hewn slab
*Finish: Painted finish, heavy white with rust-red overlay
*Dimensions: 16"W x 1.5"D x 59"H
*Condition: Moderate antique wear, heavy painted patina, structurally stable, original single-slab construction intact
Q: What is the meaning of the three eye forms and white kaolin on this Igbo panel?
A: The three stacked eye forms (Anya) represent the omniscient ancestral gaze and Anya Anwu (the Eye of the Sun), symbolizing complete spiritual vigilance and cosmic protection. The white kaolin clay (Nzu) was applied during shrine consecration rituals to invoke spiritual purity, peace, and divine blessing over the compound threshold.
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• **Please bear in mind that colors of products shown may vary slightly from their original color due to monitor display settings or photography studio.
